Instead of pre-processed audio, you get the EQ-ed sound in real-time for your training. It makes the training more realistic
You have control of all parameters depends on the lesson design, just like how you would in your favorite DAW
You don't have to buy songs to practice. We already included 4 free songs in different genres and 1 pink noise for your training
Based on the parameters you have selected, the corresponding EQ curve will be shown here, just like what you see in your favorite DAW
During the training, you will hear EQ-ed sound. You can compare with the original sound by holding the bypass button
You can pause or change songs during the training. And set shuffle so that you will hear different songs for each question
You will learn every aspect of a parametric EQ, including how does different frequencies sound, how much gain to apply, how steep is your EQ curve and what shape should you use.
By guessing which frequencies were boosted or cut, you get a feeling of how applying an EQ on different frequencies will alter your sound
How much gain was applied to the EQ filter? Was it a boost or a cut? You will learn this in Unit 2
The Q parameter controls the bandwidth that the EQ filter influences. In Unit 2 you are going to learn the differences between a wide EQ and narrow EQ and when to use them
When should you use a bell shaped EQ filter and how to cut off the high end? What is the difference between a low shelf and a low cut? You will learn different EQ filter shapes in Unit 3
We present you a comprehensive overview of your performance in different aspects of the EQ skills, where you can easily spot your weaknesses and choose lessons accordingly to turn them into your strengths.
See an overview of where you are good and not good at based on the past lessons you had. Spot which skill do you need to improve the most and do trainings improve them
See an evaluation of your frequency scores for different spectrums. This allows you to know on which part of the frequency spectrum do you need to further improve.
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